Showing posts with label Ben Affleck. Show all posts
Showing posts with label Ben Affleck. Show all posts

Wednesday, October 02, 2013

Runner Runner (MA 15+)


IT'S hard to believe Justin Timberlake once wooed the pigtails off Britney Spears when you know the paths their lives both took in the aftermath. But we were all young once. Some would say young, dumb and foolish - no matter how much we try to avoid being so.
Richie (Timberlake) is that young guy. He's at Princeton University though, so he's more often than not one of the smarter ones. Working as an affiliate for an online poker site, he gets cheated when he has a go. He knows he's been cheated. Then he turns foolish and decides to fly to Costa Rica to try and meet the site's creator Ivan (Ben Affleck).
For anyone else, things would not have ended up well and they would've been deep in it. For Richie, his smarts get him a job with Ivan and the attention of assistant Rebecca (Gemma Arterton). He brings his friends along for the ride, and it all goes great for a while.
The film tells you right off the bat that for some life is not worth living unless you can risk it all. Everyone can risk something, but taking that a step further to make it really pay off, or really hurt, is where a daring minority tests itself.
Photo: The Telegraph (UK)
Brad Furman (The Lincoln Lawyer) plays on the increasing popularity of online gaming from his opening scene as news bulletins document what is becoming a global concern. Furman doesn't waste any opportunity to glamourise the underworld beneath the digital poker tables, showing Richie's step into the big league as lavish and extravagant surrounded by beautiful people and plenty of money.
Regular collaborators Brian Koppelman and David Levien (Ocean's Thirteen) offer a screenplay that focuses on the three major players and leaves a lot of potential action behind. This is more of a talker, good for those wanting a film deeper than A Good Day To Die Hard, but not great in overall substance.
There's a lot packed into an hour-and-a-half considering the story moves at a generally steady pace, but little things that don't add up or aren't given enough time to be explained become an annoyance. You know there's something big coming but it takes its time in getting there with filler plot.
An interesting cast releases a bit of that tension from the shoulders. While Arterton is given maximum opportunity to look beautiful (and succeeds), the boys don't scrub up as nice. Affleck is smarmy as Ivan reveals his playing cards bit by bit to reveal the cracks he thinks Richie can fix. Timberlake gives off a sense of impressionability as the central character, that young and foolish kid. His appearance assists that, but Timberlake is learning his way to bigger things.
Furman's chance to play big could itself seem foolish, with using big names against a so-so story. He manages to present a feature that keeps you interested, but only until the credits roll. Distributors should have thought about using a poker term as the title more thoroughly.
Rating: 2.5/5
*Published in the Daily Liberal (Dubbo), Western Advocate (Bathurst), Parkes Champion Post and Midstate Observer (Orange) and Rotten Tomatoes from Saturday 28/9/2013


MISSED LAST WEEK'S REVIEW? See what I thought of Turbo.

Sunday, August 25, 2013

I've decided that at the end of the week I'm going to share with you my news consumption.

This inaugural Week That Was compilation is a bit long, I admit, but there was a lot going on! A lot of crazy things going on... Ben Affleck as Batman? A fork inside a man's privates? Can you blame me?

Saturday, October 27, 2012

This was one of the films of the year. I highly recommend you get your bum on a cinema seat for this one.

Argo (M)

WHILE much of the current focus on the Middle East remains on links within the US, an interesting sidenote remains that Canadian relations with Iran have not always been on positive terms. Their decision last month to sever all diplomatic ties with the country, not for the first time, has sparked political and international debate.

It's timely then that this film should be released, explaining for the first time on film some details behind their disagreements. The Canadians were responsible for harbouring six US embassy employees in Tehran during violent protests in 1979/1980, aimed at the US government for keeping their corrupt leader safe while on his deathbed.

Yes, the US is still involved. And here we see the story of how they were the unsung heroes of the operation to get the group out of the country. As cliched as it seems, this is very much a case of North American partners in crime, something rarely highlighted.

The six escaped to the Canadian embassy, where they stayed for more than two months before CIA exfiltration agent Tony Mendez (Ben Affleck) came on board to create their escape plan. A preposterous plan for an extreme situation, he creates buzz for a sci-fi film that will never be made.

Getting producers, stars and Variety magazine on board are all part of Mendez's plan to have a viable excuse for getting into Iran for location scouting and smuggle the group out as the remainder of his production crew.


Unravelling elements of what those in the business think Hollywood to be as Mendez develops his plan, Affleck the director makes a statement to say he has earned his place among his sort of the day.
His attention to detail and style is remarkable, long shots establishing the story's slow process and effectively ditching the crisp picture we've come to expect for that of 30-year-old quality.

George Clooney and Grant Heslov join Affleck as producers, and together they make a film about a fake film big. John Goodman and Alan Arkin as Mendez's Hollywood contacts are wry and cynical but great assets, and Bryan Cranston again makes an important appearance as CIA buddy Jack O'Donnell. Victor Garber returns to his roots as Canadian ambassador Ken Taylor, while Affleck himself has no conflictions about moving between the front and back of the camera.

Tony Mendez is a simple guy who's having family issues, but the focus never remains on him. The story is well and truly everyone's, something to remember and be able to share. Taking information from Mendez's autobiography The Master of Disguise and article Escape From Tehran by Joshuah Bearman, the film is smooth and engrossing in entirety.

Unlike many other films involving espionage and rescue plots, this story has true heart.