Showing posts with label Michael Fassbender. Show all posts
Showing posts with label Michael Fassbender. Show all posts
Wednesday, October 30, 2013
The Week That Was: A move to Darwin, Fassbender-fest and crossbow cat
0 comments Posted by Katina at 8:00 PMA belated week that was. It was a huge week for me personally!
Saturday, October 26, 2013
Last week I chose to have a mini Michael Fassbender-fest and watch the two films he's done so far with British director Steve McQueen.
Hunger and Shame are two pretty intense films, but it's all for a day's work, which resulted in the article below. Watching him isn't all that hard though really. He's fair amazing.
With 12 YEARS A SLAVE now in theaters, @Katiinkaa explores what makes Steve McQueen so great. http://t.co/QqdWp96KJt— Movie Mezzanine (@MovieMezzanine) October 21, 2013
Captain Phillips (M)
THE SUBJECT of war has become a flexible term in the new century in the context of overall conflict. While bigger wars rage in the Middle East over weapons and Syria with its people, smaller wars not in a physical state also cripple nations.
In Greece the lack of economy is stifling its position as a habitable nation, while in African countries blood is shed as rebels fight for diamonds. Even in Australia, there is a war of words and political promises about gay marriage. It is an inescapable part of today’s existence.
At sea, Captain Rich Phillips (Tom Hanks) is aware, but not alarmed at the risk of pirates targeting his American cargo ship off the coast of Somalia. His biggest problem should be dealing with a new crew during the voyage between Oman and Kenya.
The threat of modern-day pirates becomes all too real much too quickly for the captain to accept, but to his credit he keeps a cool head and prepares his crew for what is to come. He is faced with four armed Somalian males, one still a teenager, and negotiations become sour.
Paul Greengrass has become something of a niche specialist in international action since his days filming war zone documentaries. His exploration of war’s multiple facets ranges from the fictional Bourne world to modern history’s most pivotal moment in United 93.
 |
| Photo: hollywoodreporter.com |
His focus on the true story of Captain Phillips lies with the titular character, a man who truly believes he is doing what is best in the situation that befalls him. His relationship with pirate leader Muse (Barkhad Abdi) is a centrepiece of humanity in between the chaos around them, something to draw you in as a reminder that even the most callous of people still want connection.
Both Phillips and Muse are strong men within their respective circles, thinking similarly about how to best get their desired outcome realised. That both should grow weaker as the severity of the situation increases and still maintain a strange mutual respect for each other is perplexing but logical. Hanks and Abdi take Billy Ray’s script to an engrossing state, creating a commanding mood.
Greengrass' speciality in realism grows stronger with his films. For this powerful story he makes it hard to look away, even for watchers not in favour of handheld camera work. The rough seas add a mental queasiness to a highly tense situation.
The adaptation of Phillips and Stephan Talty’s book A Captain's Duty: Somali Pirates, Navy SEALS, and Dangerous Days at Sea has received backlash from crew members adamant their captain was reckless and travelled closer to the Somalian coast than instructed.
While anything of the sort is not alluded to, Greengrass has delivered a fine action thriller still very relevant on a grand scale. Hanks produces one of his best performances as a man weakened by a deadly threat, with his final scene leaving you to check your breath.
Rating: 4/5
*Published in the Daily Liberal (Dubbo), Western Advocate (Bathurst), Parkes Champion Post, Midstate Observer (Orange) and Rotten Tomatoes from Saturday 26/10/2013
*Published in the Daily Liberal (Dubbo), Western Advocate (Bathurst), Parkes Champion Post, Midstate Observer (Orange) and Rotten Tomatoes from Saturday 26/10/2013
MISSED LAST WEEK'S REVIEW? See what I thought of Prisoners.
Saturday, June 09, 2012
Um, wow. I'm putting it out there to say I'm totally loving Michael Fassbender just a little bit right now. I hadn't caught on to the Fassywagon yet (to be fair, Hunger is taped on my DVR waiting to be watched), but I get it now. I sat through half of Prometheus just marvelling at him. He was the best thing about this film. And then I find out he's Irish/German. Enough said.
In my excitement for the lead-up, I also did mini-reviews for the Alien quadrilogy. Man, Ellen Ripley is a champ.
Prometheus (MA15+)
WHEN Sir Ridley Scott brought Alien to cinemas all those years ago, he presented a story that
left most questions unanswered. With the three subsequent films that formed the
Alien quadrilogy, how the aliens came
to be and why they were so hell bent on destroying Earthlings was never
addressed. But Scott’s idea of that concept went deeper as he weaved his way
back into the franchise, travelling on a road to discover where mankind comes
from and why we exist.
Set 37 years before events of the original film, Elizabeth
Shaw’s (Noomi Rapace) job as an archaelogist is to answer some of life’s
biggest questions. She is sponsored by The Weyland Corporation, aka The
Company, to travel two years through space with partner Charlie Holloway (Logan
Marshall-Green) and attempt to meet their makers, the ‘Engineers’. But things
start going wrong when the crew of Prometheus mess with the nature of planet
LV-223.
With an excellent cast including Guy Pearce, Charlize Theron
and Idris Elba, Rapace holds her own as Shaw, seeking answers and avoiding
confrontation with what they find. But Michael Fassbender as android David is most
commanding, subtle in his disturbing ways and taking matters into his own hands
as he questions the superiority humans think they have.
The 3D edition enhances Scott’s vision, which is something
to behold. The planet they discover is barren, but what they find is
extraordinary. His idea of what the Engineers turn out to be is confronting and
allows room for even more questions of the theories of existence. It’s a
welcome return for Scott to the franchise, the suspense maintained as it creeps
towards an inevitable link with the films of old. Yes, there are nasty
multi-mouthed aliens.
Rating: 4/5
*Published in the Daily Liberal (Dubbo), Western Advocate (Bathurst), Parkes Champion Post and Midstate Observer (Orange) from Saturday 9/6/2012
***
A Room with a View
(1986)
This period drama based on E.M. Forster’s 1908 novel on
Edwardian England is a bit odd for its sort, not in the direction but the story
itself. Characters seemingly ahead of their time are pushed to the side and scenes
including nude frolicking and wild screaming manage to present the males as
rather strange.
Lucy (Helena Bonham Carter) travels to Florence, Italy, with
her prim and proper cousin Charlotte (Maggie Smith), where they meet
like-minded travellers in their hotel. Among them are Mr Emerson (Denholm
Elliott) and his son George (Julian Sands), forward-thinkers who aren’t
perceived as positive influences by Charlotte.
George and Lucy have a moment after Lucy witnesses a murder
and faints at the scene and George acts on it while out on a country trip, kissing
her in the fields before Charlotte finds them and forbids any further contact.
Back in England, Lucy is soon engaged to the respectable Cecil (Daniel
Day-Lewis) but when the Emersons appear in town her world is shaken up yet
again.
The film was well-received following its release, winning
three Academy Awards and a Golden Globe for Smith. The beautiful Tuscan setting
for part of the film helps its appeal, but the story is one that stops and
starts suddenly; it isn’t hard to follow but lacks detail on the development of
the central relationship, which disappoints.
But the performances are all spot on, Maggie Smith perfectly
English as the uptight and pitiful Charlotte and Day-Lewis is entertaining as a
fiancé with no knowledge of intimacy, while Bonham Carter still exudes an
ever-so-slight kookiness to Lucy, a naïve girl who becomes muddled as she’s
torn between her two admirers.
*Published in the Mailbox Shopper (Dubbo) from Wednesday 6/6/2012
*Published in the Mailbox Shopper (Dubbo) from Wednesday 6/6/2012
MISSED LAST WEEK'S REVIEWS? See what I thought of What To Expect When You're Expecting and Nosferatu: Phantom of the Night.
-------
Subscribe to:
Posts (Atom)
Posts
