Showing posts with label The Five-Year Engagement. Show all posts
Showing posts with label The Five-Year Engagement. Show all posts

Saturday, May 12, 2012

Big news in my cinematic world this week!

I'm now writing an extra film column, this time for the Daily Liberal's weekly publication Mailbox Shopper. The reviews I do will be of films from 1001 Movies You Must See Before You Die, my Bible of sorts. It's a life quest I intend to complete so this is one step towards that. As such, I'll be posting what I review for Shopper alongside my regular weekly reviews.

Now aren't I just the nicest? :D

Dark Shadows (M)


Johnny Depp’s work over time as muse to Tim Burton has been nothing short of a rollercoaster as their friendship repeatedly turns to some freaky business on screen. Their latest collaboration continues along that path as television series Dark Shadows is transferred onto film in typical Burton style.


The grand master of wacky presents the story of Barnabas Collins (Depp), who loses his parents and the love of his life to cruel witch Angelique ‘Angie’ Bouchard (Eva Green). She loves him too much to see him with anyone else so turns him into a vampire, and two centuries later the bickering resumes as they involuntarily reunite in a 1972 that Barnabas struggles to comprehend.


His descendants are a dysfunctional bunch, living off what little money is left from his family’s former seafood empire and miserable. Supposedly they would have to be if a proper English vampire is the only thing to get them out of a rut.
 

But the film quickly edges towards a romance as a love triangle ensues; Barnabas falls for house governess Victoria, so reminiscent of true love Joset (both played by Aussie Bella Heathcote), but warring sides emerge from Angie and house psychiatrist Dr Julia Hoffman (Helena Bonham Carter).
 

It’s this love game that makes the leading man so incredibly confused and entertaining, only to be ruined by the fact he kills people to survive. Barnabas is a traditional vampire through and through, staying well out of the sun (to prevent burns, not sparkling) and sleeping best in a coffin.





The 1972 setting and soundtrack work extremely well because of the stereotypes of the era, fitting in with the two-century ‘trip’ Barnabas takes before meeting his descendants and coincides with the ending of the original show.


Burton plays this film subtle like much of his previous work, still getting the quirkiest part of every character to surface in a way that inspires intrigue. Depp cruises through as Barnabas, perhaps a little too easily, but remains enjoyable while looking as youthful as ever.

The supporting cast is an interesting mix, as Burton’s choices usually are, with the likes of Michelle Pfeiffer, Jackie Earle Haley, Jonny Lee Miller and Chloe Moretz. But it’s Green as Depp’s downfall that emerges as a standout, suiting the snaky witch to a tee. She’s a sexy villain, but indecisive on what to do with Barnabas and letting emotion get in the way.


There’s no end to the torture for anyone as secrets behind every character are revealed, exposing uncertainties as they try and restore the family name. But Barnabas’ desire to strengthen relationships with his descendants and return the Collins’ as a family of honour is a heavy theme that continues to push on to counter the wackiness. It’s not Burton’s best, but it’s a fun romp all the same.

Rating: 3/5

*Published in the Daily Liberal (Dubbo), Western Advocate (Bathurst), Parkes Champion Post and Midstate Observer (Orange) from Saturday 12/5/2012


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This is how I'm getting published for my Shopper reviews. A lot harder to condense my thoughts into a smaller space. Then again, I started with a three-hour film...



Gandhi (1982)

Richard Attenborough’s epic feature on the life of Mohandas Gandhi, the Great Soul, is an eye-opener for anyone who doesn’t know about the impact of his actions.

Part one of the 183-minute film focuses on a younger Gandhi improving his leadership skills to prove most fascinating,  while in part two he is much the wiser, although stubborn right until his death.

This is a beautiful project that took 20 years to be put to screen. Ben Kingsley is so convincing as a calm man who struggles with the violence that his calls for peace created.

Gandhi’s growth into a man who wishes only for cooperation evolves further to make a man of wisdom and strength with simple ideas of solving his homeland’s problems.

But he wasn’t God, and Attenborough shows his weaknesses just as effectively as how much he was admired by his countrymen and the media alike.

The production is excellent; with the extravagant use of extras a nice reminder that CGI isn’t always the best choice, Gandhi reflects the sheer enormity of the impact this attorney had on his people, the British Empire and the world.

*Published in the Mailbox Shopper (Dubbo) from Wednesday 9/5/2012


MISSED LAST WEEK'S REVIEW? See what I thought of The Five-Year Engagement.



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*I have two photos entered in the current Qatar Reflections competition. Please show your support for me by voting for either photo! Short backstory and links here.

Saturday, May 05, 2012

In cinema news, I've been asked to contribute a column of my choice to the Daily Liberal's weekly publication Mailbox Shopper starting next week. I've chosen to make it about viewing all the films in bible 1001 Movies You Must See Before You Die, a quest I've been slowly progressing through over the last six or so years (I'm up to something around the 190 mark). So check in for some classic reviews here and there as I first discover some of Hollywood's treasures and beyond.

But to this week...

The Five-Year Engagement (MA15+)

Marriage is a funny thing. As an important component of life, it presents stature for some in society while others fear it because it suggestively presents an end to freedom. Then there are those who just avoid it, happy in their bubble and willing to postpone it for one reason or another. Moving to Michigan is enough for the couple in the latest project from Nicholas Stoller to become these avoiders, but while a move usually suggests a relationship’s progress, in this case it becomes a major stumbling block.

Tom (Jason Segel) is happy as a souz chef in San Francisco when he meets Violet (Emily Blunt) and proposes to her on their first anniversary. But a move for Violet’s work as an emerging psychologist leaves him without a professional job and both of them for a reason to delay the wedding. As time is killed by living what is a Segel-esque warped existence, so are Violet’s grandparents by old age one by one. It doesn’t help that her sister Suzie (Alison Brie) managed a shotgun wedding to Tom’s best friend Alex (Chris Pratt), pleasing the family enormously and setting high expectations.

Tom and Violet are written as two of the world’s biggest procrastinators but there’s no real justification to accompany their actions. It’s hard to imagine that people are really that unsure or unbothered about marrying the love of their lives for that prolonged a period. Violet moves along with the world, enjoying her work with a diverse group of colleagues but Tom takes a step back and retreats to a life of new facial hair and hunting deer.



The team that brought you The Muppets has presented a film that takes you to some weird places as a plan to encourage some laughs. They get them, but only because the incredulity of it all is managed well by Segel and Pratt. However, having a psychologist at the centre of the story is underused; Segel and Stoller, as co-writers, don’t appear to have grasped the potential of using that more within the relationship.

Stoller’s third film as director is too long at 142 minutes, many scenes drawn out unnecessarily. But what it doesn’t have in precision it does in charm. Segel and Blunt work well as the strung-out couple while Pratt plays the lovable idiot of a best friend. However, the most interesting are Violet’s workmates Ming (Randall Park), Vaneetha (Mindy Kaling) and Doug (Kevin Hart), equally cruising along with whatever comes their way but not afraid to share what’s on their minds. Rhys Ifans and Jacki Weaver also add good contributions.

The film is a fun offering, but like the length of the engagement it’s stretched out which doesn’t work in its favour. This should still appeal to Segel and Blunt fans, whose abilities are not compromised.
Rating: 3/5


*Published in the Daily Liberal (Dubbo), Western Advocate (Bathurst), Parkes Champion Post and Midstate Observer (Orange) from Saturday 5/5/2012

MISSED LAST WEEK'S REVIEW? See what I thought of The Avengers.

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*I have two photos entered in the current Qatar Reflections competition. Please show your support for me by voting for either photo! Short backstory and links here.